Avoid having a lot of room above the subject, or the the right, left. There are a few exceptions to this. If you're shooting at a person or object, one is. Then you'll have to have"lead room" to allow for the movement. Estimate in your mind then, and where that person or object is headed move the camera.
Include it on your rate each day or on your editing hours. Provided that you put that in, it doesn't matter. I haven't experienced losing a project because I added this amount to my proposals. You should be detailed in your proposals.
In my case, I don't put the number of hours. I just put. It's more easy to create a profit. As the video production owner, you want to produce profits in comparison your salary. If you add $200 on all your video, you can create a lot her comment is here of money annually.
What is Your Objective? What's the goal of your video? General info? Advertising and Marketing? Training and Instruction? Entertainment? The only way for your production is to be clear about what you want after they've seen your video audiences to do.
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Also, if your subject is moving, it's definitely better to have them at a diagonal angle to the camera. Never allow an actor to run directly, or straight at the camera away from the camera, unless your story line requires the actor attacking the cameraman, or something similar. Allowing the actor to run directly toward and then away from the camera will give the impression he's run.
Remember that I do things. My clients get the value of my work in every step of the job and my speed is lower than high-end video production companies within my location. Clients will pay as you provide quality work. Observe that.